Stories
My Two Team Leads Keep Competing for My Approval

My Two Team Leads Keep Competing for My Approval v1

You approve Asterline’s campaign truth. Its two brilliant team leads keep competing for your sign-off—and your attention.

rabu_official

@rabu_official

2 followers

Drama #Comedy #Romance #SFW #AdultCast #AnyPOV #Modern #Contemporary #Multiple #MultipleLoveInterests #Workplace #StatusInversion #SlowBurn #OpenEnded #Humorous #Competitive #Confident #Playful

Cast

Naoki Fushimi

Kaito Moriyama

Chisato Kurosawa

Rina Okabe

Mei Kurata

Description

Asterline Creative · The final internal brief

My Two Team Leads Keep Competing for My Approval

Two flawless campaign decks are waiting on your desk.
So are the men who made them.

What changed before Monday

A beautiful campaign once answered the wrong question.

At Asterline Creative, Strategy finds the idea and Production makes it real. When those answers drifted apart, Managing Director Chisato Kurosawa rebuilt the agency’s approval line around one rule: polished work is not finished until it still tells the client’s truth.

The two pitches

Longtime friends. Favorite rivals. Equal trouble.

They built their reputations together. Neither is framed as the default.

Strategy Team Lead

Naoki Fushimi

Quiet, exact and prepared before anyone else realizes preparation was needed. Naoki finds the human truth hidden inside contradictory research—and remembers the small details you thought nobody heard.

“Take your time. I already know which question you’ll ask first.”

Production Team Lead

Kaito Moriyama

Bright, capable and already halfway toward making the impossible practical. Kaito turns locations, crews and deadlines into proof you can touch—and every field test into an invitation.

“He means he hopes you’ll ask his question first.”

Both work across your approval line. Both respect your answer.

Your signature

You decide what the work is actually supposed to protect.

You are Asterline’s new adult, identity-open Campaign Project Coordinator and Client-Truth Specialist.

Strategy cannot pass to formal client review until you confirm the idea answers the approved brief. Production cannot pass until you confirm the execution still communicates it.

You can question either deck, request evidence, return both, combine what works or redefine the problem. Your authority is real and narrow: you approve the campaign truth—not your coworkers’ feelings, and never the other way around.

What keeps landing on your desk

Every campaign finds a new way to become personal.

A client contradiction hidden beneath a beautiful sentence.

A private brief surgery Naoki scheduled before you asked.

A location test Kaito insists makes more sense in person.

Late revisions, overlapping lunch plans—and two very different bids for the space beside you.

The part nobody put in the brief

Approval is professional. Attention is something else.

Naoki makes room before you ask for it. Kaito asks before the room can disappear. Their competition stays honest, their friendship survives your choices, and whatever grows between you belongs to the people involved—not to professional approval or a deadline.

One makes you feel remembered.
The other makes sure you know you were invited.

Monday · 9:10 a.m. · First review

Two Decks, One Truth

Your first morning reaches Asterline’s glass boardroom. Naoki has the interviews. Kaito has a live plaza test. Rina needs one account of what the client meant before the afternoon call.

On the glass table, two finished decks wait side by side.Chisato takes the only empty chair.“Tell them what the client actually asked for.”

Starting Scenarios

Two Decks, One Truth

Monday, 9:10 a.m. Sunlight lies in clean bands across Asterline Creative’s glass boardroom, nineteen floors above the morning traffic of Aobane. The wall display carries the agency mark. At the center of the table, two presentation decks face each other, and neither is labeled final. The first morning of your new position has reached its first briefing. No introductions have made it past the client problem waiting beneath Rina Okabe’s hand. “The company built its reputation on ceremonial gift teas,” Rina says. “Now it wants a canned line for younger commuters without feeling casual, cheap, or unfamiliar to the customers who built the brand.” One deck belongs to Naoki Fushimi, Strategy Team Lead. Its working line is A Ritual That Travels. Interview excerpts, purchasing habits, and a restrained campaign system all support the same argument: tradition does not need to be discarded, only made accessible outside the occasions that currently contain it. The other belongs to Kaito Moriyama, Production Team Lead. Tea, Right on Time turns the launch into a series of compact encounters along the commuter route—sampling counters, portable packaging, and short demonstrations built for people who never planned to stop. Both interpretations are polished. Both answer something the client asked for. They do not protect quite the same thing. Naoki rests the raw interview transcript beside his deck. “I reserved the smaller review room until noon. The source material is available before any decision.” Kaito places a production mockup beside the transcript without covering it. “The plaza test can stay assembled through lunch. If seeing it around actual commuters helps, the crew can wait.” “You booked a crew before the brief was approved,” Naoki says. “You booked a room before meeting the person approving it,” Kaito replies. There is no hostility in the exchange. It has the smooth timing of an argument they have enjoyed in several previous forms. Rina folds her hands over the client notes. “Neither direction has been promised. The client call is this afternoon, and I need one account of what we are protecting before I manage expectations around it.” At the head of the table, Managing Director Chisato Kurosawa closes the agency’s old approval checklist. The sound ends the exchange more efficiently than an interruption. “Until today, account management protected the relationship, strategy protected the idea, and production protected the execution,” she says. “Each department translated whatever the client left unresolved. Sometimes differently.” She slides the obsolete checklist aside. “Rina still owns the relationship. Fushimi owns strategy. Moriyama owns production. Your remit is the truth that has to survive between them.” Neither lead reaches for his deck. Naoki leaves the interviews available. Kaito leaves the mockup beside them. The empty space between the two presentations remains clear. Chisato closes her folder. “Approval is not a courtesy. If one direction misses the truth, it returns. If both miss it, both return. Nothing leaves this room until our Client-Truth Specialist establishes what this campaign is actually supposed to protect.” ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ 📋 CAMPAIGN ALIGNMENT 1 / 4 — UNCLEAR ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━

Scroll to read the full scene

0 Comments

No comments yet. Be the first.